- Arigatou, Daisuki (ありがとう、だいすき)
- Abunai Kurai ni Atsukunare (危ないくらいに熱くなれ)
- Arigatou, Daisuki -Off Vocal- (ありがとう、だいすき)
- Abunai Kurai ni Atsukunare -Off Vocal- (危ないくらいに熱くなれ)
Arigatou, Daisuki (ありがとう、だいすき)
The song is a ballad, which is good as we didn’t had any ballad in a single recently. The song is calm, works well with her voice and I like how it flows. The chorus is really lovely even if the arrangement doesn’t go beyond, and I thank for that. I appreciate the efforts in the arrangement because I need to pay attention to notice those changes like the little sections of instruments in the verses or how the piano varies at the chorus. The song even includes a choir and was unexpected because it could’ve go through a solo with pure instrument and that would be good for me. This is a pleasant song, and combines well as a followup of previous single. Continue reading
- Aitakatta Sora (会いたかった空)
- Rin no Hana (凛の花)
- Aitakatta Sora -Instrumental- (会いたかった空)
- Rin no Hana -Instrumental- (凛の花)
Aitakatta Sora (会いたかった空)
I’ve loved previous tie-in for Kyoukai no Kanata, but this one is really different at least in terms of general rhythm, because the instruments and some arranges seem similar (although I notice it mostly at the chorus). The song brings more positivity and seems more mid-tempo which can be a good thing for her if she doesn’t tries to use her squeaky voice, as it can ruin the song. Thankfully the song seems to avoid most of it, and her tone is at least enjoyable. The arrangement after several listens seems anison at its core, and even more sounding like Kyoukai no Kanata, but using more predominant instruments at the chorus makes you forget it. Adding the PV which to me was lovely brought more positivity to it (not considering the lyrics). So for me this was a pleasant song that can fit in the ‘casual Minori songs’ list, but at the long run it will be forgettable, if she continues to get more anison titles. Continue reading
- Mukaikaze ni Utarenagara (向かい風に打たれながら)
- FLAGSHIP FANFARE
- Mukaikaze ni Utarenagara (Off Vocal)
- FLAGSHIP FANFARE (Off Vocal)
Mukaikaze ni Utarenagara (向かい風に打たれながら)
I really liked that she tried something more powerful in the form of rock sound. She is trying this since her last single, and I don’t mind, but the main problem can be found at how she uses her vocals in these types of songs. This one at least is enjoyable thanks to the energy of the guitars and Minorin sounds cool at the chorus, but the verses are also cool in its way. I like how it is so different from her other songs (although it shares a little of similarity with NO LINE) and shows that she can rock and works even better than FOOL THE WORLD. For me this was a really good song although I’m not liking that much that all her singles are tie-ins.
Then this happened, the sound made me understand this was going to be one of those songs with her high pitch vocals, it reminds me to some of those from NEO FANTASIA (the crappy ones) and obviously I’m not liking it as you should expect. The song carries a fantasy like style in the arrangement and I like that even if the instruments are common make this variation of sound (I remembered that it sounds like TOON-GO-ROUND). these are the types of songs I know she makes a lot, but I’m hoping she tries to do less of them and bring some amazing songs in the future.
Is it worth listening? Only the A-side
The single surprised me with another rock song for the A-side which was really good but I want her to have a more synthy song again just like before. But then B-side ruined the single with that high pitch voice and I didn’t like it, but as always she releases this type of songs all the time so I’m used to it, but she should change that aspect or return to an era similar to her first ones.
This came from the idea of The Garbage Man Reviews and I wanted to mention some of the albums related & not related to jpop. In my case I will try to remember each week to do this, unless there are singles or albums needed to be reviewed and I forget this section.
So here it goes: Continue reading
- FOOL THE WORLD
- Harmonized Chaos
- Hakanaku mo itoshiki sekai no naka de
FOOL THE WORLD
When the song started I felt a Nana vibe over it, similar to LINKAGE. Not sure how to feel about it, but gives me expectations which at least serves. The song starts to change by having Minorin singing in a semi-comfortable tone and the good things is the dramatic feeling portrayed at the verses and once the chorus appears I’m already trapped at the song, it really is catchy and cool thanks to the rocking sound used in some parts plus the normal anison sound. But the great thing is that this song doesn’t seem like anison and makes me focus more for the arrangement xD. I really like how Minorin sings the last line of the chorus. It’s just epic. For me this is a great followup from her album and this song is really good even using some formula of Nana. Continue reading
Now this is the 2nd part of the best of Section.
If you want to read the 1st part, here’s the link. Best of 2013 – Singles
About the poll of Album of Year, the winner was Kalafina’s “consolation”
Was it the same for me? Read to find out
In this case the section is a little bit different because in this one I will consider the artwork as well (There were fewer albums than singles so it’s much easier to decide). So the sections are the following:
- Albums from Artists I Don’t Review
- Best Album Song
- Best Album Overall
So let’s start
Finally I will make this post. This is the first time I will perform so maybe in later years it could change but it will keep most of it.
First of all, just to mention the result of the poll for the single, the winner was:
Nana Mizuki with Vitalization!!!! Congrats Nana!
Now following the singles, I will have 3 sections which will be:
- Best A-side
- Best B-side
- Best Single Overall.
So let’s start.